Tuesday, March 30, 2010

Elbow - The Seldom Seen Kid


6.8/10
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Strictly speaking about the sound/production, this album is refeshing, like drinking clean, clear spring water. Each instrument is heard in its own space and has an intricate and definite purpose. Nothing is rushed, as nearly every song is mid-tempo, but this band wasn't meant to romp and rave. But the textures and layers are really where they excel (when they do excel, that is). And a slight swagger, but nothing too out there, just quiet confidence.
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Some albums as downtempo as this would make an anxious listener even more unnerved and frustrated. But this relaxes, calms, and reassures.
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The album starts out of the gate with three bonafide great songs, "Mirrorball" being the highlight of the entire album. The problem is that things lull to a near stop towards the middle, starting with "An Audience With the Pope" to the low point of the album and drag of a song, "The Loneliness of a Tower Crane Driver." "Slow Riot" tries to steal that accolade just two songs later, however. It's unfortunate that an album with so much potential has such a drab middle section. This has become even more apparent as I review the album, whereas in the past I imagine I let it slide and just drifted my attention elsewhere.
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"One Day Like This" redeems the album towards the end, and "Friend of Ours" succeeds at being extremely subtle but beautiful at the same time with great touches of piano, providing for a great closer, but ultimately this is a patchy effort where they simply couldn't sustain the near perfection of the first three songs.

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