Grizzly Bear - Veckatimest

3.9/10

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Boredom is the main thing I feel here. Some parts are beautiful, some parts are catchy, but mostly it's incredibly relaxing and melancholy to an extreme fault. I can't possibly see myself wanting to come back to this album more than a couple times.

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Thing is, this album is missing counterbalancing elements. There's no tension, no dynamics, very little to no catchy melodies, and not nearly enough emotion. It just sounds like a group of people in a studio trying to make a beautiful record, being so careful not to ruin anything that they completely forgot to make inspired, original music. The vocals reflect this as you can almost hear them straining for perfection and trying to sound perfect as opposed to just singing out of emotion.

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The closest the album reaches the point of being successful is in the opener, "Southern Point," where some minor tones and slight tension grab my ears. "Two Weeks" is a poor attempt at doo-wop and extremely bland for what it's trying to accomplish. The rest of the album just drowns in its own pool of careful and meticulous mediocrity.

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In a way, it's actually kind of refreshing, because it reassures me that the good music that's out there truly is inspired and maybe it isn't possible to "manufacture" a great album after all. Because that's exactly how this album sounds to me, manufactured perfection. And as such, it's not even close to being perfect.

Can - Tago Mago

8.0/10

How is this record so dang good and fun to listen to? I mean, on the surface it's nothing more than a steady drum beat, jamming guitars, and crazed vocals that drone on and on. But what this album has in spades is a locked in, dead-on groove and one of the coolest rock singers in history. Heck, I'm sold.

The amazing thing is that normally I'd expect music this hypnotic and spacey to kind of float on in the background without keeping my full attention for the entire time. You know, mind wandering music. But not this. I'm captivated like a cat watching a plate of tuna on a merry-go-round. Watch it go 'round, and 'round, and 'round.

The consensus masterpiece of the album, "Halleluhwah," is the perfect example. The drums and bass are locked into a groove that, dang it if I can't stop bobbing my head and tapping my foot to it. It's freaking addicting. And the experimentation over the top of it is fascinating. The screechy violins, the groovy guitars with Damo's scatting alongside them, the crazed keyboards. Count. Me. In.

After the heavy groovefest of "Halleluhwah," "Aumgn" provides a reprieve with its complete absence of a beat, instead opting for noise experiments. The noise is joined by tribal-sounding drums towards the end. It's a welcome palate cleanser, and creates quite a stark, in-the-basement-of-a-dungeon-like ambiance.

"Peking O" is by far the most experimental piece on the album. Electronic beats lay the foundation for wild piano, keyboard, and all sorts of other doodling around. Damo's vocals are played backwards at hyperactive speed with manic beats and keyboards. He sounds like a paranoid, hallucinating 5 year old hyped up on a couple liters of coffee...

And speaking of which, "Bring Me Coffee or Tea" is a great album closer, which calls back to the more conventional aspects of the first half of the record.

I've yet to mention the entire first side of the album, which challenges side B (filled entirely with "Halleluwah") as my favorite side on the album. "Paperhouse" and "Oh Yeah" are especially essential listening.

The key to enjoying this album is to stay with it. It's gotten better with each listen so far for me. It's nearly impossible to capture everything it offers initially. But patience has rewarded me one of the best krautrock albums I've ever heard.

The Feelies - The Good Earth

8.8/10

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The Good Earth just sounds good. The guitars shimmer like they're being played live, right in front of you. The drums are clean and precise. It's the sound of a band that's extremely comfortable, concise, and relaxed.

It has a very earthy and organic feel to it. It's a great road trip album. Great acoustic songs set to standard 4/4 time and somewhat campy vocals over the top.

Let's see, so far I've described this album as "good" and "earthy."

How original of me.

The Velvet Underground has often been mentioned as a huge influence to The Feelies, and I can affirm that sentiment. But it's not at all in a contrived or forced way. They still do their own thing. And they just have a coolness about them (albeit more in a nerdy sense than their predecessors) that emerges from their sound.

The first two songs serve as the perfect introduction as perhaps the most conservative and conventional of the group. But they're also two of the best.

"The Last Roundup" is set to a galloping pace, the guitars and drums drive in and out like a swerving car on a highway. It's a great contrast to the rest of the album.

"Slipping (Into Something)" is the most epic piece on the album. In VU fashion, they take a delicate and mid-tempo tune, speed it up, and turn it into a fast paced race to the finish as guitars strum and drums beat louder and faster. It may not be original, but it's executed to perfection.

"Tommorow Today" is nearly psychedelic. I don't know what effects they used to get that sound, but it's almost hypnotizing.

Basically, this is just a really good record to play when you feel like drifting away to a really comfortable place with no real concerns or worries. Comfort food at its finest.

The Beatles in Mono

Over the past few years I've come to really appreciate a lot of The Beatles work, especially their later output (save for Sgt. Pepper, which I still haven't really grown attached to). Rubber Soul, Revolver, The White Album, and Abbey Road are all great albums. When the box sets came out I debated which one to get, and almost went with the stereo intially. But really, the early albums don't make much sense with all the seperation (especially if listening in headphones), and since mono's the way they really meant their music to be heard up until their last few albums, I thought this would be the way to go.

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First of all, the packaging is some of the best I've ever seen. The outer case is solid and inside are lp replicas, complete with the outer plastic protective sleeve and the inner sleeves (they give you two options - a sort of rice paper, transparent sleeve, and a paper sleeve...I think both are great and I'm torn on which ones to use). Even the cd labels are like the records themselves.

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The sound is great so far. It does lack a little punch at times, and the sound isn't as full, but the clarity is defintely there. With ears so used to hearing in stereo, the mono at times can be a little dull, but I quickly get past it and appreciate hearing all the details.

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This is also my first real exposure to their first five albums, which are all great even if they do rely a little too much on covers.

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All in all this was a great purchase and one I'll have fun taking care of and listening to for years to come.

Top Albums of the 2000s: 9-1

So, I guess I did this wrong...isn't this supposed to be 10-1? Well whatever, but here are the last 9...

9. dredg - El Cielo

A concept album about, of all things, sleep paralysis. Even the liner notes are filled with letters from sufferers of the ailment. Few albums flow as well as this one, with instrumentals that aren't superfluous and ebbs and flows as the album progresses that make for a complete work. The vocals soar over the music and although the band may have a slightly harder edge to them than the vocals would typically call for, the contrast works great and both balance each other out.

8. Animal Collective - Feels

Animal Collective always have a sense of freedom and inhibition to them, but perhaps never so much as on Feels. It's much more organic than their progressively electronic direction since this album, and it really emphasizes their primal, adventurous nature. These aren't songs so much as they are just pure celebrations of life.

7. Portishead - Third

Imagine the Silver Apples, except add a lot more depth of songwriting and a haunting female vocal. Yep, perfection is acheived. Who knew these trip-hop pioneers had an album like this in them. It's haunting, bleak, and downright scary at times ("Machine Gun"). I feel like this album would be best listened to in a dark basement with one hanging lightbulb in the middle of the room. Yeah, I know, very cool.

6. The Cure - Bloodflowers

Most people look at this album as a late comback, an afterthought, merely The Cure turning back to their sound of their early 80's sound. They couldn't be more wrong. This is pure melancholy pop bliss. Sublime acoustic guitars, great build-ups, and superb melodies make this a truly unique album in their catalogue. Some also think this is just an album of Robert feeling old turning 39 as it came out (even one of the songs is titled "39"). But I don't care, it's amazingly gorgeous and their most underrated album by far.

5. Interpol - Turn on the Bright Lights

In concept, this album really shouldn't be that amazing. But man, when I put this on, the mood is just one-of-a-kind. I wish I could explain how it works so well, but try as I might, it's difficult. Let's just say that the planets aligned and what really should've been just another ok post punk album turned out to be an absolute classic. There are hooks, but it's not a "catchy" album. There are dance-type beats, but it isn't something to dance to. Every song is top-notch and they manage to create amazing songs back to back without repeating themselves. It has the perfect late night, haunting busy city mood, if that makes any sense whatsoever.

4. Deerhoof - Apple O'

This album makes me smile just thinking about how much fun it is. It's like a reckless, cacophonous barrage of crazily pounded drums, thrashed guitars, and a Japanese girl singing on top of it all, sometimes coo-ing, and sometimes singing like a crazed maniacal child. Their technical ability puts it all together so it's not just a random assortment of untalented losers having fun with instruments and yelling at microphones. Just like Animal Collective gives me a sense of adventure and fun, this album gets me loose and just allows me to have a pure fun time.

3. Radiohead - Kid A

Don't you just love those moments you will always remember as changing your perspective on music and art altogether? This was that moment for me. I was getting into Radiohead probably just a year before this came out, and liked them enough that I was excited for the release of Kid A. I bought it the day it came out and with the opening notes of "Everything in its Right Place" I was...I guess the words would be "confused" and "intrigued." It was so incredibly out of left field from what they'd done before, let alone anything else I'd ever heard from anyone. But something about it kept me coming back, as fascinated as a little child is with moving lights. I still think it's an incredibly fascinating album to this very day.

2. Modest Mouse - The Moon & Antarctica

This is one of those truly perfect albums. If you haven't read my review of it in this blog, go back for my reasons as to why this is one of my top 10 albums of all time.

1. Sigur Ros - ( )

This one's probably a headscratcher for most people. #1? Really? Yes, really.

For an album with words in a language nobody understands, this conveys so much emotionally. The atmosphere is stunning - I'd say it's the aural equivalent to starting down at the Grand Canyon (which I have done) or up at Mt. Everest (which I can only imagine).

It's really heavy - heavy in the sense that there are moments where you feel the weight of silence and pace as if it's nearly tangible. Really, "Untitled 5" conveys the feeling of floating in space or teetering off of the edge of a steep cliff with it's insanely slow tempo and somber mood. But then there's the moment in "Untitled 3" where the piano line goes up an octive and it's just beautful and peaceful. But if the rest of the album is stark and bleak, the last two tracks are the avalanche that brings it all down to a climactic end. "Untitled 8" ends with such force and magnitude that, if you'll excuse my cheesy hyperbole, it's nearly breathtaking. Incredble album.

Top Albums of the 2000s: 19-10

19. Godspeed You! Black Emperor - Lift Your Skinny Fists Like Antennas to Heaven

Though the impact of this album has worn off slightly over time, it's still one of the most powerful albums in terms of dynamics. Labeled post rock by most, I'd describe this as classical music with a rock influence, replacing melody with sheer force and volume. It could be music for the apocylipse.

18. Thrice - Vhiessu

I thought I'd largely written off post hardcore a long time ago as a generally adolescent genre full of petty anger and immature frustration, but this is one of the few exceptions. The power in this album is in its maturity, thoughtfulness, and illusions to Christian theology.

17. Joanna Newsom - Ys

This album is just pure fun to get lost in. It's classic Van Dyke Parks storytelling combined with a shrill female vocalist and a harp with orchestration around it all. Sound intriguing? Probably not. But you'd be the fool for not giving it a chance.

16. Radiohead - In Rainbows

This was a nice surprise after the really disappointing Hail to the Thief. For once, it almost seems as if Thom as become a little less gloomy, and though the music is hardly lighthearted, it is more relaxed and settled in. It doesn't stray too far from the electronic-rock they've been doing this decade, but it's just done really well with great songwriting. Nothing is done for show or for expiramentation, like I felt was the case for the aforementioned album. "All I Need" is their best song since 2000.

15. Elliott Smith - New Moon

Although these songs weren't recorded in the year of its release, let alone this decade, it still was released this decade so I'm counting it. These songs, supposed "throwaways" from his golden Either/Or period, are little less amazing than his album material. And a full two discs worth at that.

14. Sleater-Kinney - The Woods

I think I've heard these gals labeled as the girl version of Fugazi. It's a pretty apt comparison. They share the same aesthetic of punk combined with straight out rock, progressive arrangements, and a powerful lead singer. I haven't heard many Sleater-Kinney albums, but if this isn't their peak I'd be highly surprised.

13. Antony & the Johnsons - I Am a Bird Now

Never in my wildest dreams would I have imagined loving music by a homosexual, operatic chamber-music type male singer. Stunning, I know. But the songs are so heartfelt, and his voice is so sincere, and the arrangements are so gorgeous, it would almost be more shameful to admit that you didn't have the heart to love this music.

12. Yo La Tengo - I Am Not Afraid of You and I Will Beat Your Ass

Besides having basically the coolest album title of all time, the reason this has turned into my favorite Yo La Tengo album is because of how great all the songs are despite being so diverse and the sheer quantity of them. From the raukus guitar jam opener, to the guiet ballads, to the garage-y rockers, to the nearly doo-wop-esque pop, they seem to do it all, but they do it all so well. This band is so incredibly underrated.

11. Animal Collective - Merriweather Post Pavillion

I was ultimately disappionted with Strawberry Jam. I could appreciate the direction they were going, but it didn't hold much for staying power. Their fun side seemed to have been replaced with maniacal craziness, which is fun for only so long. So I was surprised when this, their next album, had much more of a pop influence. And it works perfectly for who they are as musicians - carefree, fun, and unhibited. It was only natural for them to translate that into a largely pop album, and it makes for a really addictive set of songs.

10. PJ Harvey - Stories From the City, Stories From the Sea

For some reason maturity is the golden word for this list, and it fits here, too. PJ used to be a raw, rough-edged rocker, but here she's a slightly more polished, sophisticated woman playing rock music. Even the album cover denotes such, with her looking so urban with her shades and handbag walking across a busy street. But her songwriting has matured as well, into some of the best songs she's ever written.

Top Albums of the 2000s: 29-20

29. Teenage Fanclub - Howdy!

Although the so-called "highs" of this album aren't quite as high as other TF albums, this is probably their most consistent outside of Songs From Northern Britain. There's a lot more maturity and subtlety to their songwriting, and it tends to be more of a grower for that reason. But the reward is there for those who stay with it.

28. Elliott Smith - Figure 8

Lots of people were turned off when Elliott discovered what a music studio was, but I think those complaints are largely overhyped. His songwriting is just as strong and the added production and instrumentation allowed for a lot more range in his music.

27. Radiohead - Amnesiac

At first I threw this album off, as many did, as a Kid A throwaway disc. While that's still maybe partly true, that doesn't prevent this from having its own merits. It's even more alienating, more submersive, and a very involved listening experience.

26. The Notwist - Neon Golden

I still think this album is ten times better than Give Up by the Postal Service. I don't know why I always compare the two in my mind, other than both are mostly electronic and pop in nature. This is much less a sunny album, while still having some really catchy melodies to go along with its atmospheric parts.

25. Fugazi - The Argument

Still not their best album (that title will forever belong to Repeater), this is a much more mature Fugazi. This is the sound of a very confident band, making a very confident record.

24. Mogwai - The Hawk is Howling

This is the biggest surprise for me in this list. Mogwai dropped off the map as far as I was concerned and I didn't pay much attention to them. By chance I gave this one a listen and it became my favorite of theirs. They rely less on the post-rock cliche of building crescendos and more on nuances and layers and variety.

23. Sonic Youth - Sonic Nurse

Rarely do bands put out such an incredible record so late in their career. They meld noise, pop, and rock so seemlessly it's almost as if they can do this in their sleep. They are able to expand ideas throughout the album without being overbearing or boring.

22. Yo La Tengo - And Then Nothing Turned Itself Inside-Out

This is such a hushed album it takes some patience and time to let it unfold and become interesting. It's an album no 17 year old would ever "get." It's about marriage, pain, patience, dancing, and all around growing up. Very much best listened to in the late evening in the dark.

21. Spoon - Kill the Moonlight

The best explanation I've seen or heard about this album, is that it's as if the band members were playing jenga with these songs, seeing how much they could take out while still keeping everything in tact. Almost like the Young Marble Giants, they take pop, simplify it as much as possible, and make some really addicting music.

20. Animal Collective - Sung Tongs

Unlike anything I'd ever heard before it, this album - and particularly one of my top 5 songs of the decade, the opener "Leaf House" - was an album that made me rethink things about music and what was possible. It's so weird to the average person, they'd think you were on crack for liking it. But it makes me feel so unhibited, and so free and happy because of the very fact that I not only can like it, and even love it, but that I very sincerely DO.